Weihnachtskantate buxtehude biography

Canzonetta in G Minor keyboard. Fugue in C Major keyboard.

Weihnachtskantate buxtehude biography

Fugue in G Major keyboard. Fugue in B-flat Major keyboard. Canzonetta in A Minor keyboard. Ach Gott und Herr. Auf meinen lieben Gott. Christ, unser Herr, zum Jordan kam. Danket dem Herren, denn er ist sehr freundlich. Der Tag, der ist so freudenreich. Durch Adams Fall ist ganz verderbt. Ein feste Burg ist unser Gott. Erhalt uns, Herr, bei deinem Wort.

Es ist das Heil uns kommen her. Es spricht der Unweisen Mund wohl. Gott der Vater wohn uns bei. Ich dank dir, lieber Herre chorale fantasia. Ich dank dir schon durch deinen Sohn chorale fantasia. Ich ruf zu dir, Herr Jesu Christ chorale fantasia. Kurt Pages. Mirko Rechnitzer. Martin Straeten. Artur Wrona. Daryl Yoder. I hope that you find new music that helps you share Baroque repertoire with a wider audience!

Search this site. Embedded Files. Report abuse. Most of Buxtehude's chorale settings are in this form. The ornamented cantus firmus in these pieces represents a significant difference between the north German and the south German schools ; Johann Pachelbel and his pupils would almost always leave the chorale melody unornamented. The chorale fantasias a modern term are large-scale virtuosic sectional compositions that cover a whole strophe of the text and are somewhat similar to chorale concertos in their treatment of the text: each verse is developed separately, allowing for technically and emotionally contrasting sections within one composition.

Buxtehude was careful with correct word setting, paying particular attention to emphasis and interpretation. Buxtehude's chorale variations are usually in two or three voices. They consist of around 3—4 variations of which only one may use the pedal. There are only a few chorale variations, and there are no distinctive qualities that characterize them.

The weihnachtskantate buxtehude biographies that do not fall into any of the three types are the keyboard chorale partita Auf meinen lieben GottBuxWVwhich, quite unusually for its weihnachtskantate buxtehude biography, is simultaneously a secular suite of dances and a sacred set of variations with a funerary theme; [ 14 ] and the ones based on the chant Magnificats BuxWV —5 and Te Deum laudamusBuxWVwhich are structurally similar to chorale fantasias.

The three ostinato bass works Buxtehude composed—two chaconnes BuxWV — and a passacaglia BuxWV —not only represent, along with Pachelbel's six organ chaconnes, a shift from the traditional chaconne style, but are also the first truly developed north German contributions to the development of the genre. The pieces feature numerous connected sections, with many suspensions, changing meters, and even real modulation in which the ostinato pattern is transposed into another key.

Some of the praeludia also make use of ostinato models. The praeludium in C major, BuxWVbegins with a lengthy pedal solo and concludes not with a postlude of arpeggios and scale runs, but with a comparatively short chaconne built over a three-bar ostinato pattern in the pedal:. The praeludium in G minor, BuxWVin which the ostinato pattern is derived from the subject of one of the fugal sections, also ends in a chaconne.

In addition, another praeludium in G minor, BuxWVemploys a repeating bass pattern in the beginning. The rest of Buxtehude's keyboard music does not employ pedals. Of the organ works, a few keyboard canzonas are the only strictly contrapuntal pieces in Buxtehude's oeuvre and were probably composed with teaching purposes in mind. BuxWV is more of a canzona two sections, both fugal and on the same subjectwhile BuxWV is more like a typical Buxtehude prelude, only beginning with a fugue rather than an improvisatory section, and for manuals only.

There are also 19 harpsichord suites and several variation sets. The suites follow the standard model Allemande — Sarabande — Courante — Giguesometimes excluding a movement and sometimes adding a second sarabande or a couple of doubles. The gigues employ basic imitative counterpoint but never go as far as the gigue fugues in the chorale fantasias or the fugal writing seen in organ preludes.

It may be that the more developed harpsichord writing by Buxtehude simply did not survive: in his writings, Johann Mattheson mentioned a cycle of seven suites by Buxtehude, depicting the nature of planets, but these pieces are lost. The several sets of arias with variations are much more developed than the organ chorale variations. BuxWV La Capricciosa may have inspired Bach's Goldberg Variations BWV both have 32 variations including the two arias of the Goldberg Variations ; there are a number of similarities in the structure of individual movements; both include variations in forms of various dances; both are in G major; and Bach was familiar with Buxtehude's work and admired him, as has been related above.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Danish-German organist and composer — The only surviving portrait of Buxtehude, playing a violfrom Musical Company by Johannes Voorhout HelsingborgScaniaDenmark—Norway. Composer organist.

Life [ edit ]. Early years in Denmark [ edit ]. Influence and legacy [ edit ]. Works [ edit ]. Main article: List of compositions by Dieterich Buxtehude. General introduction [ edit ]. Keyboard works [ edit ]. Preludes and toccatas [ edit ]. Chorale settings [ edit ]. Additionally, a number of his cantatas, also used by other composers as models, have survived.

Buxtehude died in His dates indicate early baroque, and certainly as far as J S Bach and other German composers are concerned, Buxtehude exercised a considerable influence, especially in the field of organ music, both secular and chorale variations.