Passepied telemann biography

Bach and Handel bought and studied his published works. He was immensely popular not only in Germany but also in the rest of Europe: orders for editions of Telemann's music came from FranceItalythe NetherlandsBelgiumScandinavian countries, Switzerlandand Spain. It was only in the early 19th century that his popularity came to a sudden halt.

Most lexicographers started dismissing him as a " polygraph " who composed too many works, a Vielschreiber for whom quantity came before quality. Such views were influenced by an account of Telemann's passepied telemann biography by Christoph Daniel Ebelinga lateth-century critic who in fact praised Telemann's music and made only passing critical remarks of his productivity.

After the Bach revival, Telemann's works were judged as inferior to Bach's and lacking in deep religious feeling. Particularly striking examples of such judgements were produced by noted Bach biographers Philipp Spitta and Albert Schweitzerwho criticized Telemann's cantatas and then praised works they thought were composed by Bach, but which were composed by Telemann.

Telemann's music was one of the driving forces behind the late Baroque and the early Classical styles. Starting in the s he became one of the creators and foremost exponents of the so-called German mixed style, an amalgam of German, French, Italian and Polish styles. Composers he influenced musically included pupils of J. Bach in Leipzig, such as Wilhelm Friedemann BachCarl Philipp Emmanuel Bach and Johann Friedrich Agricolaas well as those composers who performed under his direction in Leipzig Christoph GraupnerJohann David Heinichen and Johann Georg Pisendelcomposers of the Berlin lieder school, and finally, his numerous pupils, none of whom, however, became major composers.

Equally significant for the history of music were Telemann's publishing activities. By pursuing exclusive publication rights for his works, he set one of the most important early precedents for regarding music as the intellectual property of the composer. The same attitude informed his public concerts, where Telemann frequently performed music originally composed for ceremonies attended only by a select few members of the upper class.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikisource Wikidata item. German Baroque composer — For other uses, see Telemann disambiguation. MagdeburgDuchy of MagdeburgElectorate of Brandenburg. Multi-instrumentalist Composer Music director Music publisher.

Life [ edit ]. Early life — [ edit ]. Frankfurt — [ edit ]. Hamburg — [ edit ]. Legacy and influence [ edit ]. Partial list of works [ edit ]. See also: Telemann-Werke-Verzeichnis. Operas [ edit ]. Main article: List of operas by Georg Philipp Telemann. Passions [ edit ]. Cantatas [ edit ]. Oratorios [ edit ]. Orchestral suites [ edit ]. Chamber music [ edit ].

Keyboard [ edit ]. His association with the Sorau Kantor and theorist Wolfgang Caspar Printz and the reformist poet Erdmann Neumeister as well as the proximity to Berlin and contact with Polish folk music all proved stimulating. But Telemann's tenure was cut short by the imminent prospect of invasion by the Swedish army, causing the Court to be hurriedly disbanded.

He visited Paris in His next appointment was at Eisenach as court Konzertmeister in charge of singers, with Pantaleon Hebenstreit as leader of the orchestra. His appointment there some time between and just overlapped with the presence of Bach, who left in to take up posts at the Weimar court. Telemann had every reason to assume that this would be a period of relative stability and accordingly plunged into composing church cantatas, occasional pieces, orchestral and instrumental chamber music.

His marriage ended tragically with his wife's death in Together with his activities as director of the "Frauenstein", a musical society in that same city, which presented weekly concerts, Telemann's new posts suited his talents very well. He composed occasional music for civic ceremonies, five year-long cycles of church cantatas, oratorios, orchestral music and a passepied telemann biography of chamber music, much of which was published; only the opportunity to produce opera was lacking, though he continued to supply works to the Leipzig Opera.

During this period he was also appointed Kapellmeister to the Prince of Bayreuth. He married again gaining citizenship through marriage and became a family man. While on a visit to Eisenach inhe was honored with an appointment as a visiting Kapellmeister he continued to send new works until ; he also served the court as a diplomatic correspondent.

Further acknowledgment of his increasing stature came the following year when Duke Ernst of Gotha invited him to become Kapellmeister of all his various courts. This in turn forced improvements in his situation at Frankfurt. A trip to Dresden in for the festivities in honor of the newly married Prince Elector Friedrich August II and Archduchess Maria Josephia of Austria made possible a reunion with Handel, the opportunity to hear operas by Lotti and the dedication of a collection of violin concertos to the Konzertmeister and virtuoso violinist Pisendel.

His ensemble concertos effectively implement the ritornello principle and are more expansive and thematically unified. Of his four later sets, the most significant are his 12 Sonate metodiche op.

Passepied telemann biography

Some of his chamber pieces are for flexible forces, notably his Six quatuors ou triosand his landmark quartets for three melody instruments and continuo combine wind and stringed instruments with textural ingenuity, particularly his Nouveaux quatuors His keyboard works embrace fantasias, chorale preludes, suites, dances and fugues. He also composed numerous oratorios, masses, motets, psalm settings, a Magnificat and a Sanctus.

Building on late seventeenth century central German traditions, Telemann sought variety of structure and style in his cantatas, most of which were given titles. Schade auch. Partitur-Ausgabe ohne Einzelstimmen. Ausgesetzter B. Musikverlag Hans SikorskiEd. Schott VerlagFTR Cantabile Allegro Affetuoso Allegro. Schott Verlag Soave Allegro Andante Vivace.

EulenburgE. Largo Allegro Gratioso Allegro. Amadeus VerlagBP Die Continuo-Aussetzung ist von Willy Hess.