Lew hilt biography of william

The interview then moved on to discussing the recording process during an era when equipment and technology were not as advanced as it is today. There were not many studio technologies like overdubbing involved. As a band, we always recorded in HMV studios, especially if we were recording songs for an album. HMV understood that as time changes, music also changes.

As a company, they have evolved with the changing times. I no longer follow the rock music scene of today. Since I do not hear them, it would be wrong of me to pass judgment on them. When I asked Mr. Bagchi for his opinions on present-day Calcutta rock musicians, his candid answer left me quite amused. The comment did not have the slightest manner of contempt towards contemporary rock musicians but rather it is his age that prevents him from being an active contemporary listener.

I think it's a good thing and it all depends on how you use it. It can be used very profitably. He also teaches young drummers to hone their craft, with a particular focus on Western drumming styles while still making sure that they acquire a skillset applicable to diverse musical genres. As the interview concluded and we left Mr. You can listen to one of my favourite songs by High below.

You can also listen to High On Spotify. Vaaswat Sarkar. Published on: 28 Sepam. Park Street during the s Wikimedia Commons. Bagchi: What I remember was especially that whenever we played a song, we all instinctively understood what each member should do. I want to touch upon Dilip Balakrishnan and get a sense of what he was like and what he would make of the current music scene in India?

Bagchi: Oh, he would have been a senior songwriter by now. And I consider him a singer-songwriter of international standards. His singing and his melodies and his lyrics and his sheer act were phenomenal. Hilt: I would go with what Nondon said, Dilip was up there with the best. A great songwriter, great vocalist, his note sense was absolutely incredible.

He was a natural at it, he never studied music as such, but he was a natural. When I played with Louiz Banks and people like that, and at the time, Mr. Banks was teaching me and opening a door to a new avenue of music.

Lew hilt biography of william

I was a rock musician. But after I played with Mr. Banks, I learned a lot from him. Banks with Dilip. Bagchi: I remember that we had an automatic understanding. Dilip wrote a song, the song was born and we all knew what we needed to do with that song. As Great Bear, they also participated in the Simla Beat Contest ofwhich featured competition between several Indian beat groups.

High was formed in In High performed in Bombay for the Synchrony concert. Dilip Balakrishnan 'stole the show with his pyrotechnic vocalisation of 'Shock Shock' and 'Skelington'. In 'Synchrony', other bands which made a mark on the audience were Savage Encounter of Bombay. The High also set more of Tolkien's poems to music and compiled another piece called The Songs of Adventure.

Though this piece received lukewarm reviews initially, a concert at Rabindra Sadan titled 'Highways,' finally saw the breakthrough:. The feeling of fantasy was gradually built up by three guitars, rhythm, lead and bass, reaching an intensity of almost hypnotic repetition, punctuated by periodic bell-like notes on the key-boards. And once having established the mood, the songs flowed easily enough without one feeling uneasy at being unable to recall where in The Lord of the Rings the lyrics were to be found.

Balakrishnan wrote two more rock operas, Tolkien Suite and Winter Planet. The former was performed at the Kala Mandir basement for a concert called 'Axis' on 23 December InHigh staged its final concert in Jadavpur University for an audience of over people which, unlike their usual lineups, consisted mostly of High originals. InBalakrishnan's friends put together a concert 'A Concert for Dilip'.

The digitized brochure of the concert situated High in the urban history of rock music and reproduced a number of articles on the band that came out in the Junior Statesman. Tejan Balakrishnan, Dilip Balakrishnan's son, runs a Facebook group which has brough together a large number of people who were involved with the band. Contents move to sidebar hide.

Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. That role was played by vocalist John Brinnand. The crowd went wild and we really enjoyed ourselves! ByBagchi went on to form another legendary band, High with Dilip Balakrishnan. Mukherjee focused his attention on creating Shiva inwhich would become one of the most influential rock bands in the country.

As the years passed, the band went through several changes in its line up. Even though it played covers, a few originals made their way onto its sole eponymous cassette released in If the vibe was good, we would just go man! While his long-haired bandmates went mad on stage, the clean-shaven Mukherjee would let his guitar do the talking. However, he was far more than just a guitarist.

From signing up performances to organising tours, arranging lodging and transportation, obtaining the necessary permissions and handling payments, Mukherjee did all behind-the-scenes work.