Leonide massine biography of nancy

He also sued to claim the Ballet Russe de Monte Carlo name. Instead of a whole, singular composition for the score, Offenbach created a series of divertissements. This allowed Massine to use a wide variety of dancers and tempi, all while conveying a single narrative. Massine revived the piece for American Ballet Theatre in In this production, the costumes were designed by Christian Lacroix, who created animated and eccentric costumes based on his own haute couture collection.

At the same time, Massine was working on plans for Parisina, which was to be performed by Natalia Makarova. However, Makarova began to suspect her part was originated on another dancer and pulled out of the project. Massine was appointed resident choreographer of the Marin Ballet.

Leonide massine biography of nancy

He began work on a new production of The Nutcracker, which was never seen outside the studio. He also had a cameo appearance in Powell's later film Honeymoon Massine starred in several films of ballet short subjects. He choreographed and danced in the 20th Century Fox color film Carnival in Costa Ricaand also choreographed and appeared as Pulcinella in the film Carosello Napoletano.

The attempt was not well received, partly due to the fact that the signature role, played by Alexandra Danilova in the original work, was recast with a lesser dancer, Milada Mladova. He and Orlova divorced in He subsequently married Hannelore Holtwick, with whom he had two sons, Peter and Theodor, and made his home in BorkenWest Germanywhere he died on 15 March Contents move to sidebar hide.

Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Russian choreographer and ballet dancer — He remained with the company, as dancer and later as choreographer, until By that time, his attachment to another female dancer had caused a rift in his relationship with Diaghilev, who fired him out of jealousy.

As luck would have it, Massine was able to find contracts that took him on successful tours to South America and London untilwhen he returned to Paris on a commission from the Comte Etienne de Beaumont. Massine was responsible for the first resolutely abstract ballet and the first true fusions of ballet and modern dance. The work integrates biographical study with an examination of Massine's works from an array of perspectives.

By examining the music and composers, set design, and literary sources, it places the work in the larger context of the dance, opera, major visual art movements, literature and theater of the period. In a departure from narrative works, in "Les Presages" Massine visualizes the music in his dynamic use of sculptural groupings and fluid, lyrical adagios.

This innovative work would be followed later by other choreographers' use of symphonies for their ballets. From towhether touring the United States, Canada, Mexico, Europe or performing at their home, the Royal Opera House of Covent Garden, the Ballets Russes de Monte Carlo gained tremendous international fame and Massine's career as a dancer and choreographer was at its pinnacle.

Following the outbreak of World War II, the company left for the United States where for three years they toured the country in grueling one-night stands, performing Massine repertory favorites that then had become a rage with audiences, along with several of his new works. At this stage of his creative life, Massine's primary interest lay in choreographing to symphonic music.

However, changes in the administration of the Ballets Russes de Monte Carlo foreclosed such a possibility.